Sorry I haven’t been blogging much lately. As per last week’s hint that things have been “pretty rough”, we’ve been facing some challenges that I can’t really tell you about 
This has further delayed delivery on some of the photos I had hoped to have out by the end of February, which has been difficult in its own right. I’m hopeful that we’re only a couple of weeks out from being all caught up, but until then the blog will continue to be quieter than normal. I have some great things to tell you about when normality returns, though 
Meanwhile, I leave you with a photo of Radar that shouldn’t need any explanation 
I’m sorry for being such a bad blogger lately. The last couple of weeks have been pretty rough, and blogging slipped below more important things on the priority list
Anyway, it’s now two weeks late, but here’s my long-awaited intro to black and white post production. And there’s a whole hour of Wednesday left as I start writing this, so it TOTALLY counts as a workshop wednesday
There are hundreds, if not thousands, of different ways to convert a colour image to black and white. Just ask Google. Seriously. There’s a whole world of possibilities out there!
My approach, as always, is simple, Lightroom-based and not particularly earth-shattering. I hope it helps you figure out an approach that works for you
Here’s a colour image, straight out of camera, from Ainslie and Rohan’s wedding:
It looks OK in colour, but to my mind, the long shadows are begging for black and white treatment. This is the end result I was going for:
And here’s how I got there (just using Lightroom’s Develop module):
- White balance: avoiding proper colour correction by converting to black and white makes for crappy black and whites. Don’t be lazy! For this photo, I set my colour temperature to 7000 with a tint of +15.
- Grayscale treatment: I have Lightroom configured to apply an automatic grayscale mix as soon as I convert from colour to grayscale (Preferences > Presets). Usually it does a pretty good job (assuming my white balance is correct ), but occasionally I might darken the greens, lighten the reds or make other minor adjustments. In this case, I didn’t override Lightroom’s defaults.
- Tone: Again, I usually start by auto-toning my photos, and tweaking from there. For this photo, I made the following adjustments:
* Exposure: 0
* Recovery: 34
* Fill Light: 14
* Blacks: 10
* Brightness: +109
* Contrast: +100
- Vignette: Finally, I applied a vignette to further draw attention towards Ainslie and Rohan.
Voila! A pretty dramatic-looking black and white I hope you found that useful … if so, please spread the word!
I caught up with Lisa and Steve for their engagement session late last year. They decided to have it at Luna Park, which was an AWESOME idea, except for the fact that it was a sunny December day and the rest of Sydney was there too! So, we got a few shots around Luna Park, then wandered around the Harbour Bridge until sundown
I can’t wait to photograph Lisa and Steve’s wedding in a couple of weeks! It’s going to be at Sylvan Glen. I love Sylvan Glen
Sorry for not getting these up on the blog sooner, guys!
Oh, and please feel free to leave some love in the comments
February 16, 2010 posted in news
As promised, I’m pleased to announce that registrations for our new photography course are now open!
Click here for full details, including times, dates and content.
Only 3 places remain on our first course, so register now if you’re interested!
by luke
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